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|Title: ||Changing representations of contemporary Mainland women in Hong Kong cinema : 1979-2009|
|Other Titles: ||Xianggang dian ying zhong dang dai da lu nü xing xing xiang de bian qian : 1979-2009|
香港電影中當代大陸女性形象的變遷 : 1979-2009
|Authors: ||Yang, Meiyuan (楊梅媛)|
|Department: ||School of Creative Media|
|Degree: ||Master of Philosophy|
|Issue Date: ||2010|
|Publisher: ||City University of Hong Kong|
|Subjects: ||Women in motion pictures.|
Women -- China.
Motion pictures -- China -- Hong Kong.
|Notes: ||CityU Call Number: PN1995.9.W6 Y35 2010|
v, 118 leaves : ill. 30 cm.
Thesis (M.Phil.)--City University of Hong Kong, 2010.
Includes bibliographical references (leaves 107-113)
|Abstract: ||This thesis studies the representation of mainland women in the last thirty years of Hong
Kong cinema. Since 1980s, a number of Hong Kong films started to feature mainlanders, as
the 1997 issue forced Hong Kong people to rethink their relationship with mainland China.
Among these films, mainland women function quite differently to mainland men and in
particular act as the "Other" in Hong Kong. As few researches notice this marginal group, I
argue that they actually play a significant role and reflect how Hong Kong defines itself and
mainland China when facing the power of the latter. Along with the development of both
mainland and Hong Kong societies and the change of their power balance, the representations
of mainland women vary. This thesis takes the representation of mainland women as the
object of study, examining how it changes cinematically under different historical
circumstance. Through gender study, culture study and cinematic language analysis, this
thesis will investigate the cultural and gender politics behind the image of mainland women,
fill the gap in the academic study and break a new path in the interpretation Hong Kong
|Online Catalog Link: ||http://lib.cityu.edu.hk/record=b3947649|
|Appears in Collections:||SCM - Master of Philosophy |
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