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Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Powers, Robert | en_US |
dc.date.accessioned | 2014-03-17T03:57:29Z | |
dc.date.accessioned | 2017-09-19T08:29:06Z | |
dc.date.accessioned | 2019-01-22T03:48:08Z | - |
dc.date.available | 2014-03-17T03:57:29Z | |
dc.date.available | 2017-09-19T08:29:06Z | |
dc.date.available | 2019-01-22T03:48:08Z | - |
dc.date.issued | 2013 | en_US |
dc.identifier.citation | Powers, R. (2013). Framing the global moment: A 21st century writer’s approach to narrative craft (Outstanding Academic Papers by Students (OAPS)). Retrieved from City University of Hong Kong, CityU Institutional Repository. | en_US |
dc.identifier.other | en2013-6311-pr614 | en_US |
dc.identifier.uri | http://144.214.8.231/handle/2031/7154 | - |
dc.description.abstract | An argument is made for using the “story-within-a-story” frame approach to literary narrative construction for writers seeking to write a Global novel. Narrative is defined in terms of a “thematic architecture” that conveys a particular organization of a story. And Jorge Luis Borges’ The Immortal (1947), Mark Z. Danielewski’s House of Leaves (2000), and Giovanni Boccaccio’s The Decameron (TD) (mid-14th century) are all analyzed for their usage of the frame, and for how the frame works to conveys each work’s themes. | |
dc.rights | This work is protected by copyright. Reproduction or distribution of the work in any format is prohibited without written permission of the copyright owner. | en_US |
dc.rights | Access is unrestricted. | en_US |
dc.subject | Narration (Rhetoric) | |
dc.title | Framing the global moment: A 21st century writer’s approach to narrative craft | en_US |
dc.contributor.department | Department of English | en_US |
dc.description.course | EN6311 Critical Thesis | en_US |
dc.description.instructor | Ms. Xu, Xi | en_US |
dc.description.programme | Master of Fine Arts in Creative Writing | en_US |
Appears in Collections: | OAPS - Dept. of English |
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fulltext.html | 153 B | HTML | View/Open |
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