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Please use this identifier to cite or link to this item: http://dspace.cityu.edu.hk/handle/2031/7154
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dc.contributor.authorPowers, Roberten_US
dc.date.accessioned2014-03-17T03:57:29Z
dc.date.accessioned2017-09-19T08:29:06Z
dc.date.accessioned2019-01-22T03:48:08Z-
dc.date.available2014-03-17T03:57:29Z
dc.date.available2017-09-19T08:29:06Z
dc.date.available2019-01-22T03:48:08Z-
dc.date.issued2013en_US
dc.identifier.citationPowers, R. (2013). Framing the global moment: A 21st century writer’s approach to narrative craft (Outstanding Academic Papers by Students (OAPS)). Retrieved from City University of Hong Kong, CityU Institutional Repository.en_US
dc.identifier.otheren2013-6311-pr614en_US
dc.identifier.urihttp://144.214.8.231/handle/2031/7154-
dc.description.abstractAn argument is made for using the “story-within-a-story” frame approach to literary narrative construction for writers seeking to write a Global novel. Narrative is defined in terms of a “thematic architecture” that conveys a particular organization of a story. And Jorge Luis Borges’ The Immortal (1947), Mark Z. Danielewski’s House of Leaves (2000), and Giovanni Boccaccio’s The Decameron (TD) (mid-14th century) are all analyzed for their usage of the frame, and for how the frame works to conveys each work’s themes.
dc.rightsThis work is protected by copyright. Reproduction or distribution of the work in any format is prohibited without written permission of the copyright owner.en_US
dc.rightsAccess is unrestricted.en_US
dc.subjectNarration (Rhetoric)
dc.titleFraming the global moment: A 21st century writer’s approach to narrative craften_US
dc.contributor.departmentDepartment of Englishen_US
dc.description.courseEN6311 Critical Thesisen_US
dc.description.instructorMs. Xu, Xien_US
dc.description.programmeMaster of Fine Arts in Creative Writingen_US
Appears in Collections:OAPS - Dept. of English 

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